Categories
Unit 3 ARP

Rationale for my ARP

I have decided to focus my ARP on the student project brief on ‘Decolonising Fashion and Textiles’ which I have developed for the Collaborative Challenge unit at LCF, building on the Artefact which I submitted for the Inclusive Practices Unit 2 of my PgCert.

This is the main Unit which I was teaching in the Autumn term, and therefore it was the most practical option for me, as it was already embedded in the curriculum for students and approved as part of my workload. The Unit offers an opportunity for MA students to collaborate across disciplines and respond to provocations set by researchers and industry partners in relation to challenges affecting the fashion system, especially in relation to sustainablity, diversity, and social justice. In particular, my brief invited 30 MA students from various courses to collaborate with London-based refugees and asylum seekers and work on a multidisciplinary project around the themes of: fashion / textile artefacts, ethical storytelling, and project legacy (in terms of entrepreneurship or advocacy).

The choice of this Unit as the focus of my ARP was also due to the fact that the brief is linked to my on-going research project ‘Decolonising Fashion and Textiles’ which explores the lived experiences of London-based refugees and asylum seekers in relation to the themes of cultural sustainability and community resilience. The project offers a safe space and enables a reciprocal process for refugees from different walks of life to meet new people, learn skills, and create fashion and textiles which express their shifting identities and contribute to rebuilding their life in their place of resettlement (Mazzarella & Mirza, 2023).

My personal motivation to work on this brief as my ARP is also aligned with my positionality as a design researcher, educator, and activist, striving to plant seeds of hope and change, especially when working with marginalised communities. I define myself a craftsman of my own life, which looks like a patchwork of the diverse cultures I have absorbed from the countries in which I have lived, throughout my migration journey in search of better education and employment opportunities. With this in mind, I was confident this project would offer me an opportunity to challenge my own privilege, shift power dynamics within education settings, and strive to activate change from within the system.

I designed the brief in a way to aid students in acknowledging the complexity of climate, racial and social justice from an intersectional perspective (Crenshaw, 1989). Moreover, this project is strategically aligned with the UAL Climate, Racial and Social Justice principles 4 ‘Design for human equity, social and racial justice’ and 5 ‘Accelerating activism and advocacy’ (University of the Arts London, 2023a). In fact, the brief primes students to play an ‘activist’ role, making things happen (Manzini, 2014) and contribute towards social justice and sustainability. The brief is also aligned with the University of the Arts London (2021) ‘Anti-Racism Action Plan’ and supports the process of decolonising the curriculum. Throughout the project, the students were invited to challenge common negative narratives around refugees, explore issues of agency and power relations in collaborative making contexts, develop, adopt, and adapt research methods to support decolonised design practice, in line also with Tuhiwai-Smith (2012).

Myself and two project participants holding our textile autobiographies. Photo by JC Candanedo.
Categories
Unit 3 ARP

Action Plan

To help me keep on track during this action research project, I have created this list of activities I need to complete in order to deliver a successful project:

  • Attend workshops and cross-programme events
  • Attend group tutorials
  • Start the blog, and keep updating it
  • Draft, review and sign the Ethics Forms
  • Design the activities
  • Get feedback on the activities
  • Refine the activities
  • Deliver the activities
  • Take participant observations
  • Draft the evaluation questionnaire
  • Get feedback on the questionnaire
  • Refine and print the questionnaire
  • Collect responses to the questionnaire
  • Type the responses and analyse the data
  • Write up project findings
  • Prepare the slides and deliver the presentation
Categories
Unit 3 ARP

Relevant References

Ahmed, S. (2020). Strange Encounters: Embodied Others in Postcoloniality. London and New York: Routledge.

Bradbury, H. (ed.) (2015) The SAGE handbook of action research. Los Angeles: SAGE.

Chatwin, B. (1988). The Songlines. Penguin.

Cipolla, C. & Bartholo, R. (2014). Empathy or Inclusion: A Dialogical Approach to Socially Responsible Design. International Journal of Design, 8(2), pp.87-100.

Compagnucci, L. & Spigarelli, F. (2020). The Third Mission of the University: A Systematic Literature Review on Potentials and Constraints. Technological Forecasting and Social Change, 161(2020), pp.1-30.

Costanza-Chock, S. (2020). Design Justice: Community-Led Practices to Build the Worlds We Need. Cambridge, MA: MIT Press.

Crenshaw, K. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics, University of Chicago Legal Forum. Vol. 1989: Iss. 1, Article 8.

Escobar, A. (2018). Design for the Pluriverse: Radical Interdependence, Autonomy and the Making of Worlds.  Durham, NC: Duke University Press.

Flick, U. (2006). An introduction to qualitative research. London, UK: Sage Publications Ltd.

Gamman, L. & Thorpe, A. (2018). Makeright – Bags of Connection: Teaching Design Thinking and Making in Prison to Help Build Empathic and Resilient Communities. She Ji. The Journal of Design, Economics, and Innovation, 4(1), pp. 91-110.

Gilligan, C. (1982). In a Different Voice: Psychological Theory and Women’s Development. Harvard University Press.

Grits, M. & Yeo, C. (2021). The UK’s Hostile Environment: Deputising Immigration Control. Critical Social Policy, pp.1-24.

Gupta, A. & Ferguson, J. (1992). Beyond “Culture”: Space, Identity, and the Politics of Difference. Cultural Anthropology, 7(1), pp.6-23.

Hall, S. (ed.) 1997. Representation: Cultural Representations and Signifying Practices. London, UK: Sage Publications.

Iniva (2024). ‘Emotional Learning Cards’. Available at: https://iniva.org/learning/emotional-learning-cards/ (Accessed: 14 January 2024).

Kara, H. (2015). Creative research methods in the Social Sciences: A practical guide. Bristol, UK: Policy Press.

Lenette, C. (2022). Cultural Safety in Participatory Arts-Based Research: How Can We Do Better? Journal of Participatory Research Methods3(1).

Manzini, E. (2014). Making Things Happen: Social Innovation and Design. Design Issues, 30, pp.57-66.

Mazzarella, F. & Mirza, S. (2023). Textile Autobiographies: Crafting Shifting Identities with Refugee Communities. In: Proceedings of IASDR 2023 Conference ‘Life-Changing Design’, 9-13 October 2023, Politecnico di Milano, Milan, Italy. 

Mignolo, W. (2018). On Pluriversality and Multipolar World Order: Decoloniality After Decolonization: Dewesternalization After the Cold War. In Constructing the Pluriverse: The Geopolitics of Knowledge. Durham, NC: Duke University Press.

Miller, V. & Veneklasen, L. (2006). ‘Making Change Happen: Power. Concepts for Revisioning Power for Justice, Equality and Peace’. Available at: https://justassociates.org/wpcontent/uploads/2020/08/mch3_2011_final_0.pdf (Accessed: 15 April 2023).

Mirza, S. (2020). Threads of the Indus: The Subtle Forms of Power in Craft Development in Sindh, Pakistan. (PhD thesis). Royal College of Art. London, UK.

Morgan, D. L. (1988). Focus groups as Qualitative Research. Beverly Hills, CA: Sage

Publications Ltd.

Nail, T. (2015). The Figure of the Migrant. Stanford University Press.

Niessen, S. (2020). Fashion, its Sacrifice Zone, and Sustainability, Fashion Theory, 24(6), pp.859-877.

Öz, G. & Timur, S. (2022). Issues of Power and Representation in/of the Local Context: The Role of Self-reflexivity and Positionality in Design Research. The Design Journal. DOI: 10.1080/14606925.2022.2088097

Pettit, J. (2020). Transforming power with embodied practice. In McGee, R. and Pettit, J. (eds.) Power, Empowerment and Social Change. London & New York: Routledge Taylor and Francis.

Tuhiwai-Smith, L. (2012) Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books.

Tunstall, E.D. (2023). Decolonizing Design: A cultural justice guidebook. Cambridge, MA: MIT Press.

University of the Arts London (2020) ‘Code of Practice on Research Ethics’. Available at: https://www.arts.ac.uk/__data/assets/pdf_file/0020/43328/UAL-Code-of-Practice-on-Research-Ethics-October-2020.pdf (Accessed: 21 June 2023).

University of the Arts London (2021). ‘Anti-Racism Action Plan’. Available at: https://www.arts.ac.uk/__data/assets/pdf_file/0032/296537/UAL-Anti-racism-action-plan-summary-2021.pdf (Accessed: 17 July 2023).

University of the Arts London (2023a). ‘Climate, Racial and Social Justice Principles’. Available at: https://www.arts.ac.uk/__data/assets/pdf_file/0028/374149/principles-for-climate-racial-and-social-justice.pdf (Accessed: 29 May 2023).

University of the Arts London (2023b). ‘Ethics for Making’. Available at: https://ethics.arts.ac.uk/ (Accessed: 29 May 2023).

Williams, D. et al. (2022). The FashionSEEDS Reader. Available at: https://www.fashionseeds.org/_files/ugd/ed0694_8f92d71d49ab46329cf26872d02c38f5.pdf [Accessed: 29 May 2023].

Young, J. (2008). Cultural Appropriation and the Arts. Oxford, UK: Blackwell Publishing.